"This concern with external beauty that you reproach me for is a method for me. When I discover a disagreeable assonance or a repetition in one of my sentences, I can be sure that I'm floundering around in something false. By dint of searching, I find the right expression, which was the only one all along, and at the same time the harmonious one. The word is never lacking when one is in possession of the idea." --GF, March 1876
Like Sentimental Education, it takes place in France in the 1840s
GF died before completing it
GF's notes for the 2nd half consist of a collection of cliches that's been published as the 'Dictionary of Received Ideas' [etext]
The first half has only a skeletal plot, in which a Laurel-and-Hardy pair suffer catastrophe after catastrophe while trying to educate themselves in modern (ie French 1840s) thought
Bouvard is the optimistic giant, Pecuchet the small pessimist
GF conceived it as being published in parallel with St Anthony, and used the same method of exhaustive research
It's possible to view B&P as modern analogs to Anthony, being tempted by modern 'heresies' instead of ancient ones
translators: Eleanor Marx-Aveling (1886), William Walton (1896), William Blaydes (1902), M Walter Dunn (1904), James Lewis May (1928), Gerard Hopkins (1948), Joan Charles (1949), Alan Russell (1950), Francis Steegmuller (1957), Lowell Bair (1959), Mildred Marmur (1964), Paul De Man (1965), Merloyd Lawrence (1969), Geoffrey Wall (1992) [info]
'sombre story of Hamilcar's daughter Salammbo, an entirely fictitious character, against the authentic historical background of the revolt of the mercenaries against Carthage in 240237 BC' [cite]
Sentimental Education
(1869; L'Education sentimentale: Histoire d'un jeune homme)
"Well, all right, why is life worth living? That's a very good question. Well, there are certain things, I guess, that make it worthwhile. Uh, like what? Okay. Um, for me... oh, I would say... what, Groucho Marx, to name one thing... um... and Willie Mays, and, um, the second movement of the Jupiter Symphony, and um... Louie Armstrong's recording of 'Potatohead Blues'... um, Swedish movies, naturally... 'Sentimental Education' by Flaubert... Marlon Brando, Frank Sinatra... um, those incredible apples and pears by Cezanne... the crabs at Sam Wo's... Tracy's [Mariel Hemingway's] face..." --Woody Allen, 'Manhattan' [cite]
GF's 1844 novel with this title is an entirely different work [French film]
The Temptation of St Anthony
(1874; 7 chapters; La Tentation de Saint-Antoine)
"...the world forms a whole, all whose parts have an influence on one another, like the different organs of a single body. It is interesting to understand the affinities and antipathies implanted in everything by Nature, and then to put them into play. In this way one might be able to modify laws that appear to be unchangeable..."
Dictionary of Received Ideas
(1911, aka Dictionary of Accepted Ideas/Opinions; Dictionary of the Usual)
"a collection of platitudes which would be 'the historical glorification of everything generally approved.' It would he said, for instance, show that 'in literature, mediocrity, being within the reach of everyone, is alone legitimate and that consequently every kind of originality must be denounced as dangerous, ridiculous etc.' The work would, he said, be 'raucous and ironic' and would lead to the great modern idea of equality, demonstrating 'everything one should say if one is to be considered a decent and likeable member of society.'" [Byatt]
1955 film with GF played by Robert Manuel [IMDb]
1982 about de Maupassant [IMDb]
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